Wednesday, May 25, 2011

Oh man.

I am tiiiiired. Work was a beast today. My schedule:

- bead a bodice
- bead a skirt
- make a skirt pattern and fit it on model
- lengthen a bodice on wedding dress and drape pleated organza

Ok, it's a short list, but the last two took about 4 hours each and I'm not even done with the last one yet. When Steve picked me up after work I was like a zombie. A hungry zombie. We went to Five Guys. 

I made the bell-sleeve pattern for my blouse, but no luck on cutting anything out yet. Hopefully by the weekend I'll have something to show ya'll. 

Time for another Oreo.

Monday, May 23, 2011

What's this? I'm sewing for myself? ON A WEEKDAY?


I got up the energy Saturday night while waiting for SNL to come on, and I started sewing a blouse that has been sitting at my sewing table for the past, well, month or so. It is looking super cute so far, and I love the lightness of the fabric and print together. I'm not totally sure what I'll be doing for sleeves yet, but I am thinking elbow length bell sleeves, like these:



Thank goodness I love sewing things that I've never sewn before, because if I were a Scared Sewer (as I like to call it) I wouldn't have the job I have today. Speaking of my job: I am getting used to the work day, which means I have more energy after work, which means I'll be forcing myself to sew and not sit in front of the TV eating Oreos. Yay for productivity!  Boo for Scared Sewers.

Speaking of work again: Remember what I posted about my so-called Devil Wear's Prada boss? She has been showing more respect for me and my talent lately, which makes my job that much better. Yay for proving myself!

More tomorrow (as I eat an Oreo).

Sunday, May 15, 2011

What I've learned so far

Oscar de la Renta Spring 2011 Bridal

I've worked in the Bridal Industry for three whole weeks now, and I can't believe how much I learn in just one day. I want to keep a running list of all the tidbits my mind absorbs, like the pin pricks I get in my fingers (my hands get so dry and cracked everyday after work. I lather them up every night and wear manicure gloves to keep them looking youthful). Here is part of that running list:

- Every part of a wedding dress is interfaced: bodice, lining, skirt, EVERYTHING. It is so bizarre. But with heavy satin and taffeta, big heavy skirts, and boning interfacing everything is a must. 

- The wedding industry is changed drastically from what it used to be twenty years ago. Middle class brides no longer spend over $5,000 on a dress. The max is about $3000 average. But even if that price is lower, it doesn't mean that she doesn't want high drama. Dramatic, fashion forward dresses sell now more than ever before (which is great fun for aspiring designers like me :D). 

- The company I work for (which I will never say on here-- if you want to know, email me) is the only lower-end bridal company that actually does model fittings and revisions on designs once the dresses are made in the factory. Every other company (David's Bridal, for example) chooses dresses based on pictures (not from a live fitting) through a committee. No revisions are ever made on fit or construction, which is insane to me. With all the technique and work that goes into a wedding dress, it better have an amazing fit, for which my company is so well known and respected by brides. This also means that other companies have no seamstresses or pattern makers (like me) that work in the US. All is done in China, which means so much control is lost over quality.

- The hundreds of wedding dresses that are made every season by bridal fashion companies are designed only by about 4 or 5 designers total. In my company, we only have 4 designers that design about 200 dresses EVERY SEASON and then about 400 are put into production. How do these people create 200 dresses every season????

- the "Devil Wears Prada" boss and employee relationship in fashion is REAL, even in lower-end fashion.

The greatest thing I've learned so far these three weeks:

i love working in fashion. It is my true calling. I'm glad I'm able to see that now when my career is just beginning, because to work my whole life in an area I hate would suck. I'm glad I changed my major so many years ago to sewing at BYU from English. I've often regretted that decision when I was working at home for a year making pennies, but now I see the true value in my education. It brought me this job, and this job is my foot in the door.

Saturday, May 7, 2011

I'm still here.

I am alive and well-- just a little tired everyday. I am getting used to my full-time job in terms of time and energy needs. This is the first full-time job I have ever had in my life, and even though I love it and would detest going back to sewing at home right now, I'm exhausted when I come home from work and keep even comprehend  sewing for myself. I know that needs to change if this blog is going to survive (which HAS TO HAPPEN-- my future depends on it), it is just going to take a little time for me to adjust to my new life. I hope you can all adjust with me. 

So for today's post (or, more like "this week's post), I wanted to answer a question that I got a few weeks back about the pattern making textbook I use and have learned with for the past three years:


The book is expensive (about $100) but totally worth it. You can pattern draft anything you want with this book. I highly recommend it. I only have the third edition, so if you buy the latest one you'll have one-up on me. 

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About my job. I've posted these videos before, but this is sort-of what it's like at my work all day, but no awesome white work coat. I am sooo lucky to have this experience to learn from (not to mention the great cash-flow.. hello Coach purse!).

Parts 1-4 all on YouTube. Search "Signe Chanel"